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px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:20px 0 16px;text-align:left">The relationship between capitalism, white supremacy and civil rights is a fascinating one marked by boycotts, sit-ins and bus rides. All of these activities are centered on access to money and markets.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left">African-Americans who lived in the rural South during Jim Crow usually had to buy goods on credit from local white store owners, who would often gouge them. Then came the Sears catalog. It sold everything from clothes and furniture to <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0KueezdwhZb4qlWQXQN0NRVD9vWah+4EaQ87KxCX7HJ9MfBg6SiOwc6jClWVXm9b0MrnLU9FZGOMKTTWUmO5K2PXtsBslBjBK/usajmIuJXxv+A0/Z61Hu/B9ywL8YC38C2GMhl++hdizvKrWUfXAiGoF5tWK1xjmFCc4UxMKraD8WVH+UCKxaLZ3gbRTWZePU=&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181019" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important;text-decoration:underline!important" target="_blank">cocaine</a>. But it also gave black consumers access to goods at national prices. The enterprise was so successful, store owners would organize bonfires and burn the catalogs to avoid losing their black customers.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left">This week, Sears filed for <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0KueezdwhZb4qlWQXQN0NRVD9vWah+4EaQ87KxCX7HJ9MfBg6SiOwc6jClWVXm9b0MrnLU9FZGOMKTTWUmO5K2PXtsBslBjBK/usajmIuJXxv+A0/Z61Hu/B9ywL8YC38C2GMhl++hdizvKrWUfXAiGoF5tWK1xjmFCc4UxMKraD8WVH+UCKxaLZ3gbRTWZePU=&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181019" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important;text-decoration:underline!important" target="_blank">bankruptcy</a> after 132 years in business. Louis Hyman, an author and professor of history and consumerism at Cornell, wrote a <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pehkIEQ5/wRhgtDWk+4Wya3BtxQojNOMqY+gOpKINkAWw515aVsP1n1fzg5em9YoRqEaxdEz5/Ow==&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important;text-decoration:underline!important" target="_blank">compelling thread</a> on Twitter that explained how the Sears catalog empowered black consumers during Jim Crow. Mr. Hyman walked me through some of these ideas in the interview below, which has been edited.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left">________________</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left"><strong>Your thread sort of positioned Sears as a radical commercial entity during Jim Crow. </strong><br> A huge theme in my history of retail class is Jim Crow. Access for black people to competitive markets is pretty radical because a lot of the history of the relationship between black people and capitalism has been a monopoly relationship. Sears is not the story of would-be radicals trying to overthrow Jim Crow. It was about people trying to make some money, which is radical in a certain way, too.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left"><strong>It seems easy for Americans to forget this kind of history. Do you think that is why your posts on Twitter resonated?</strong><br> I was really touched that so many black readers connected with this history. People were sharing their stories about their grandparents and the way in which they felt connected to people under Jim Crow. Obviously people recognize that being followed in a store today is not the same as Jim Crow, where if you step out of line or do the wrong thing you and your family could be murdered by the Ku Klux Klan. But I think the larger point is the exhaustion of having to deal with racist store owners, whether it’s the 1900s or 2018.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left"><strong>What is the equivalent of consumer empowerment for people of color today? </strong><br> It’s tricky. The thing about Jim Crow is that it’s not about shopping, it’s about white supremacy. Not in the sense that we understand it today, but in a very transparent way. That’s the difference. I think today the feeling that you can be who you are and buy what you want was most clearly expressed through trans people who are able to buy what they want to wear, even if it doesn’t fit people’s expectations for their bodies.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left"><strong>Do your students think capitalism can be a form or empowerment for people of color?</strong><br> All of my students feel like the ability to buy something is a pretty foundational right in our society. They’ll say, “Oh, maybe you people don’t have a right to a job, but I should have the ability to shop.” And when they see how that plays out in different ways for African-Americans, for women, gay people, it is pretty remarkable.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left"><strong>Are your students thinking about things like wealth distribution and race?</strong><br> Of course! What I like about it is I get the future ibankers of tomorrow who are like, “we need to have more efficient markets that are neoliberal and are not discriminatory.” And then you get the students who are on the left who are like, “we need to have a basic income, and capitalism is racism and racism is the patriarchy.” I like to have those students in conversation because I feel like that’s the conversation we need to be having.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left"><strong>What kind of blowback did you get after your post?</strong><br> People said that I argued capitalism is anti-racist, but that’s not true. All I’m saying is that in this one particular instance, this catalog helped some people in this way, and it’s an interesting way to understand the complexities of capitalism, particularly Jim Crow capitalism. It’s always surprising to me that white supremacy and consumer capitalism squared off. And in some small measure, white supremacy lost. And that’s really incredible because white supremacy was so powerful. It was this powerful organizing principle in American politics. That’s fascinating.</td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div>  </td> </tr> </tbody> </table>  <div>  </div>  <table class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105hybrid-padding-zero m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105module-padding-zero" align="center" cellspacing="0" cellpadding="0" style="border-spacing:0;color:#000001;font-family:georgia,times new roman,sans-serif;margin:20px auto 0;width:100%;max-width:601px;padding:0 10px 0"> <tbody> <tr> <td align="center" style="width:100%;color:#999;text-transform:uppercase;font-size:10px;line-height:12x;font-family:arial,helvetica,sans-serif;padding:15px 0 6px;border-top:1px solid #000001">ADVERTISEMENT</td> </tr> <tr> <td align="center"> <table border="0" cellpadding="0" cellspacing="0"><tbody><tr><td colspan="2"><a href="https://liveintent.newyorktimesinfo.com/click?s=174149&li=RR&e=cd6a790a7df1c660fce5b8e60071e2fd&p=RR_10202018" rel="nofollow" target="_blank"><img src="https://liveintent.newyorktimesinfo.com/imp?s=174149&li=RR&e=cd6a790a7df1c660fce5b8e60071e2fd&p=RR_10202018" border="0" width="600" style="width:auto;max-width:600px!important"></a></td></tr><tr><td align="left"><a style="display:block;max-width:116px;max-height:15px" href="https://liveintent.newyorktimesinfo.com/click?s=174151&li=RR&e=cd6a790a7df1c660fce5b8e60071e2fd&p=RR_10202018" rel="nofollow" target="_blank"><img src="https://liveintent.newyorktimesinfo.com/imp?s=174151&li=RR&e=cd6a790a7df1c660fce5b8e60071e2fd&p=RR_10202018" border="0"></a></td><td align="right"><a style="display:block;max-width:19px;max-height:15px" href="https://liveintent.newyorktimesinfo.com/click?s=174150&li=RR&e=cd6a790a7df1c660fce5b8e60071e2fd&p=RR_10202018" rel="nofollow" target="_blank"><img src="https://liveintent.newyorktimesinfo.com/imp?s=174150&li=RR&e=cd6a790a7df1c660fce5b8e60071e2fd&p=RR_10202018" border="0"></a></td></tr></tbody></table> </td> </tr> </tbody> </table> <table cellpadding="0" cellspacing="0" border="0" width="40" height="6"><tbody><tr><td><img src="https://liveintent.newyorktimesinfo.com/imp?s=124239700&sz=2x1&m=cd6a790a7df1c660fce5b8e60071e2fd&p=RR_20181020&li=RR" width="2" height="6" border="0"></td><td><img src="https://liveintent.newyorktimesinfo.com/imp?s=124239701&sz=2x1&m=cd6a790a7df1c660fce5b8e60071e2fd&p=RR_20181020&li=RR" width="2" height="6" border="0"></td><td>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 <tr> <td align="left" style="padding:20px 0 0;font-family:Georgia,Times,serif"> <table cellspacing="0" cellpadding="0" style="width:100%"> <tbody> <tr> <td> <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6oOoczRBbLopPOJT1L2/YMepMU4I3iwDSWfoxvKQ69aSR581uyBBULzvB/X/EbEX2X/Q0OshoF9ag==&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586=img" class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105nocolor" target="_blank"> <img width="600" style="max-width:600px;width:100%;height:auto" border="0" alt="A church group singing hymns at the Myrtle-Wyckoff Plaza in Bushwick, Brooklyn." src="https://static01.nyt.com/images/2018/10/14/nyregion/20racerelated-hhm/HHM-draft-07-jumbo.jpg"> </a> </td> </tr> <tr> <td style="padding:10px 0 0"><div style="color:rgb(102,102,102);font-style:normal;font-variant-caps:normal;font-stretch:normal;font-size:13px;font-family:Georgia,Times,serif;line-height:17px;font-weight:normal;margin:0px">A church group singing hymns at the Myrtle-Wyckoff Plaza in Bushwick, Brooklyn. <span style="color:#999;font:10px Georgia,Times,serif;line-height:17px;font-weight:normal;margin:0">Maridelis Morales Rosado for The New York Times</span> </div> </td> </tr> </tbody> </table> </td> </tr> <tr> <td style="padding:20px 0 0">  <div style="display:inline-block;padding:0 15px 0 0"> <img border="0" width="45" height="45" alt="Virginia Lozano" src="https://static01.nyt.com/images/2018/10/19/admin/author-virginia-lozano/author-virginia-lozano-jumbo.jpg"> </div>  <div style="display:inline-block;vertical-align:top;padding:4px 0 0"> <h2 style="font-family:Arial,helvetica,sans serif;font-weight:bold;font-size:14px;line-height:18px;color:#121212;margin:0">Virginia Lozano</h2> </div>  </td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:20px 0 16px;text-align:left">This year, <strong>Hispanic Heritage Month</strong>, which Race/Related has been <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6oOoczRBbLopPOJT1L2/YMepMU4I3iwDSUbvLj2y2WvNg==&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important;text-decoration:underline!important" target="_blank">celebrating on Instagram</a>, landed on the one-year anniversary of <strong>Hurricane Maria in Puerto Rico</strong>, and at a time when thousands of Latin American children are being separated from their families in the United States. I wanted to produce a piece in <strong>New York City</strong> that would pay tribute to the beauty of Latin American communities that continue to thrive through these hardships and also highlight the beauty of our culture.</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left">In the <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0LVtyTtjVGi1QagjUpzspGP0J/KuT9IVZUTNmUBQdldmvzV7vEglL6dw0LGry1mVsqs+vOjMwL5sOtOrCzKSEzghk9fHS/7OaI7yq1lH1wIhqBebVitcY5hQnOFMTCq2g/FlR/lAisWixCc4Gfxf0dQ&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=7618258620181020" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important;text-decoration:underline!important" target="_blank">piece</a>, <strong>Maridelis Morales Rosado </strong>and <strong>Roy Baizan</strong> photographed their communities and captured the expansive and variant nature of the Latin American experience, from church gatherings to drag shows. It is accompanied by a poem by <strong>David Gonzalez</strong>, who said it best: “To be honest, every day is Hispanic Heritage Day in large swaths of New York City.”</td> </tr> <tr> <td align="left" style="color:#333;font-weight:normal;font-size:16px;line-height:22px;font-family:Georgia,Times,serif;margin:0;padding:0px 0 16px;text-align:left"><strong>[Read “</strong><a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0LVtyTtjVGi1QagjUpzspGP0J/KuT9IVZUTNmUBQdldmvzV7vEglL6dw0LGry1mVsqs+vOjMwL5sOtOrCzKSEzghk9fHS/7OaI7yq1lH1wIhqBebVitcY5hQnOFMTCq2g/FlR/lAisWixCc4Gfxf0dQ&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=7618258620181020" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important;text-decoration:underline!important" target="_blank"><strong>In New York, Every Day Is Hispanic Heritage Day.</strong></a><strong>”]</strong></td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div>  </td> </tr> </tbody> </table>  <div>  </div>  <table class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105hybrid-padding-ze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ht:19px;margin:0px;font-family:georgia,"times new roman",sans-serif">New books by Jose Antonio Vargas, José Olivarez and Julissa Arce explore what being part of mixed-status families, in which either they or their relatives were undocumented, has meant to them.</div> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div>   <div style="padding:0;background:#ffffff;display:block"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr><td style="padding:20px 0"> <div style="width:100%;height:1px;display:block;vertical-align:top;background:#e2e2e2"></div> </td></tr> </tbody> </table> </div>   <div style="width:100%;max-width:601px;display:inline-block;vertical-align:top;background:#ffffff"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr> <td align="left" style="padding:0"> <table cellspacing="0" cellpadding="0" style="max-width:601px;width:100%;padding:0;background-color:#fff"> <tbody> <tr> <td align="left"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="padding:3px 0 0 15px;width:auto!important"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0IGbbjKH6iByYK6AkBLldjolymIHaeoYdIwn0F971ZNawPT3vqbMQHRvSHCwLs79t6H+hpZWCkt8RiXJawEsBNOaW1NvwDHRg4GT0KuNDdvKiz4ZztuCeUm3Uk7fb8Mph0ewtqiGBWWO0Rzvpu/y9Chj2L5A/mzzK4IVIHJgaiCIlwhJU6GMPKpiHAsZl2XKypgdS2QsTJSgw==&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important" target="_blank"> <img class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105image-view" width="180" height="120" border="0" alt="" src="https://static01.nytimes.com/images/2018/10/19/obituaries/19MONTAGUE1/19MONTAGUE1-thumbWide-v2.jpg"> </a> </td></tr> </tbody> </table> <a style="margin:0;color:#000001;text-decoration:none;font-family:georgia,serif;font-size:24px;line-height:28px" href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0IGbbjKH6iByYK6AkBLldjolymIHaeoYdIwn0F971ZNawPT3vqbMQHRvSHCwLs79t6H+hpZWCkt8RiXJawEsBNOaW1NvwDHRg4GT0KuNDdvKiz4ZztuCeUm3Uk7fb8Mph3OCrAMkSGz7Q6nV8t9a6XJ8x0rT7HbT6Aq/OjO/RXgknwZCEqb/z4DKH7pilVGwly76hevFvgIitQ1VZ1mfpTU&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105nocolor" target="_blank"> Raye Montague, the Navy’s ‘Hidden Figure’ Ship Designer, Dies at 83</a> <h6 style="color:#999;font:11px georgia,times new roman,sans-serif;line-height:13px;margin:0;padding:5px 2px;font-weight:normal"> By KATHARINE Q. SEELYE</h6><div style="color:rgb(51,51,51);font-size:13px;line-height:19px;margin:0px;font-family:georgia,"times new roman",sans-serif">Despite facing racism and sexism, she became the first person to design a Navy ship using a computer program. She was recognized nationally only later in life.</div> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div>   <div style="padding:0;background:#ffffff;display:block"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr><td style="padding:20px 0"> <div style="width:100%;height:1px;display:block;vertical-align:top;background:#e2e2e2"></div> </td></tr> </tbody> </table> </div>   <div style="width:100%;max-width:601px;display:inline-block;vertical-align:top;background:#ffffff"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr> <td align="left" style="padding:0"> <table cellspacing="0" cellpadding="0" style="max-width:601px;width:100%;padding:0;background-color:#fff"> <tbody> <tr> <td align="left"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="padding:3px 0 0 15px;width:auto!important"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0Jky0ecDaAi3G8lmN3F0OcFm8VaMaWsVwG5tXrKHYYmV0K1Fzm8PNjTqe8vnmCDzBAaKWfL3e2ADKKF1Vvs3UpZY4l7adopTVRHtrYrjZVxFscraMLZKYEb44WU0AYia4RGVypokOY2Bh4YcR4yE5KUm8eL9IfbRME=&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important" target="_blank"> <img class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105image-view" width="180" height="120" border="0" alt="" src="https://static01.nytimes.com/images/2018/10/19/business/19DEARABBY-print/18DEARABBY-thumbWide.jpg"> </a> </td></tr> </tbody> </table> <a style="margin:0;color:#000001;text-decoration:none;font-family:georgia,serif;font-size:24px;line-height:28px" href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0Jky0ecDaAi3G8lmN3F0OcFm8VaMaWsVwG5tXrKHYYmV0K1Fzm8PNjTqe8vnmCDzBAaKWfL3e2ADLFDzDJ/PPVi7OneTLDEye0mj1s4r9+kU2Hsir56CvHEvBcNdgdF/cf2AyYCx6P4ttN2eRKoFntOrAGIw1UTin659/1yRDoCBA==&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105nocolor" target="_blank"> No ‘Foreign’ Names for Children, Dear Abby Advised. Furious Parents Replied.</a> <h6 style="color:#999;font:11px georgia,times new roman,sans-serif;line-height:13px;margin:0;padding:5px 2px;font-weight:normal"> By JOHN ELIGON</h6><div style="color:rgb(51,51,51);font-size:13px;line-height:19px;margin:0px;font-family:georgia,"times new roman",sans-serif">A reader sought guidance on the issue from an advice columnist, sparking a heated debate about American identity, heritage and acceptance.</div> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div>   <div style="padding:0;background:#ffffff;display:block"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr><td style="padding:20px 0"> <div style="width:100%;height:1px;display:block;vertical-align:top;background:#e2e2e2"></div> </td></tr> </tbody> </table> </div>   <div style="width:100%;max-width:601px;display:inline-block;vertical-align:top;background:#ffffff"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr> <td align="left" style="padding:0"> <table cellspacing="0" cellpadding="0" style="max-width:601px;width:100%;padding:0;background-color:#fff"> <tbody> <tr> <td align="left"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="padding:3px 0 0 15px;width:auto!important"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0I39Fa3Eyazc5m/9CdD5x39C9AcacvmnEEl8Jc2FPJTF8Gn8ln1bghltMpl6tPfZhHWK0XCf99LUyXG+rLyoubTjcE9EdragzXV5xs4bFrVbjvKrWUfXAiGoF5tWK1xjmFCc4UxMKraD8WVH+UCKxaLEJzgZ/F/R1A=&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important" target="_blank"> <img class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105image-view" width="180" height="120" border="0" alt="" src="https://static01.nytimes.com/images/2018/10/15/t-magazine/15tmag-cmw-slide-UK5S/15tmag-cmw-slide-UK5S-thumbWide-v2.jpg"> </a> </td></tr> </tbody> </table> <a style="margin:0;color:#000001;text-decoration:none;font-family:georgia,serif;font-size:24px;line-height:28px" href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0I39Fa3Eyazc5m/9CdD5x39C9AcacvmnEEl8Jc2FPJTF8Gn8ln1bghltMpl6tPfZhHWK0XCf99LU6ZYF9BstjmuxLmgE0ktQx08t781r3A7KBMOwhtGR4A5Cj/M75xNDopOB3Kuj00k40hPGKIydRWmVXm9V5NvNiRZFqczDozo7A==&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105nocolor" target="_blank"> How Carrie Mae Weems Rewrote the Rules of Image-Making</a> <h6 style="color:#999;font:11px georgia,times new roman,sans-serif;line-height:13px;margin:0;padding:5px 2px;font-weight:normal"> By MEGAN O’GRADY</h6><div style="color:rgb(51,51,51);font-size:13px;line-height:19px;margin:0px;font-family:georgia,"times new roman",sans-serif">Perhaps our best contemporary photographer, she creates work that insists on the worth of black women — both in art and in life.</div> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div>   <div style="padding:0;background:#ffffff;display:block"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr><td style="padding:20px 0"> <div style="width:100%;height:1px;display:block;vertical-align:top;background:#e2e2e2"></div> </td></tr> </tbody> </table> </div>   <div style="width:100%;max-width:601px;display:inline-block;vertical-align:top;background:#ffffff"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr> <td align="left" style="padding:0"> <table cellspacing="0" cellpadding="0" style="max-width:601px;width:100%;padding:0;background-color:#fff"> <tbody> <tr> <td align="left"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="padding:3px 0 0 15px;width:auto!important"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0LT3hKhib9Z9XWIe5JuQPoEMRIeqF8DEYLAnSNkZKJdGgc0/PYvxXrFKDkQsVsfu3KEB1rr4cmH6yz4ZztuCeUm3Uk7fb8Mph0ewtqiGBWWO9PuH8CPMRLOj2L5A/mzzK4IVIHJgaiCIlwhJU6GMPKpiHAsZl2XKypgdS2QsTJSgw==&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important" target="_blank"> <img class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105image-view" width="180" height="120" border="0" alt="" src="https://static01.nytimes.com/images/2018/10/20/us/20hatecrime-print/00hatecrime-thumbWide-v2.jpg"> </a> </td></tr> </tbody> </table> <a style="margin:0;color:#000001;text-decoration:none;font-family:georgia,serif;font-size:24px;line-height:28px" href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0LT3hKhib9Z9XWIe5JuQPoEMRIeqF8DEYLAnSNkZKJdGgc0/PYvxXrFKDkQsVsfu3KEB1rr4cmH6yz4ZztuCeUm3Uk7fb8Mph3OCrAMkSGz7Q6nV8t9a6XJx46Hc76Wphcq/OjO/RXgknwZCEqb/z4DKH7pilVGwly76hevFvgIitQ1VZ1mfpTU&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105nocolor" target="_blank"> Before Jailing a Young Woman, a Judge Puts Her Mother’s Racist Views on the Stand</a> <h6 style="color:#999;font:11px georgia,times new roman,sans-serif;line-height:13px;margin:0;padding:5px 2px;font-weight:normal"> By ADEEL HASSAN</h6><div style="color:rgb(51,51,51);font-size:13px;line-height:19px;margin:0px;font-family:georgia,"times new roman",sans-serif">Judge Henry T. Wingate was accused of “reverse racism” over the way he handled a hate-crime trial of white teenagers involved in murdering a black man.</div> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div>   <div style="padding:0;background:#ffffff;display:block"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr><td style="padding:20px 0"> <div style="width:100%;height:1px;display:block;vertical-align:top;background:#e2e2e2"></div> </td></tr> </tbody> </table> </div>   <div style="width:100%;max-width:601px;display:inline-block;vertical-align:top;background:#ffffff"> <table width="100%" cellspacing="0" cellpadding="0" style="border-spacing:0;font-family:sans-serif;color:#333333;padding:0;background:#ffffff"> <tbody> <tr> <td align="left" style="padding:0"> <table cellspacing="0" cellpadding="0" style="max-width:601px;width:100%;padding:0;background-color:#fff"> <tbody> <tr> <td align="left"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="padding:3px 0 0 15px;width:auto!important"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0ITh1JUPYDQW4sWHFZTZMDGKbQoewwHDxfiivb5YhQZmv/+nb+q7++2tMpl6tPfZhHWK0XCf99LUyXG+rLyoubTjcE9EdragzUjxWJJc6GbDzvKrWUfXAiGoF5tWK1xjmFCc4UxMKraD8WVH+UCKxaLEJzgZ/F/R1A=&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" style="color:#326891;color:#326891!important;text-decoration:underline;text-decoration:underline!important" target="_blank"> <img class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105image-view" width="180" height="120" border="0" alt="" src="https://static01.nytimes.com/images/2018/10/20/us/politics/18cherokee/18cherokee-thumbWide.jpg"> </a> </td></tr> </tbody> </table> <a style="margin:0;color:#000001;text-decoration:none;font-family:georgia,serif;font-size:24px;line-height:28px" href="http://p.nytimes.com/email/re?location=pMJKdIFVI6pghfX2HXfSzxRpdoyDWYNWv/nD1XJkN0ITh1JUPYDQW4sWHFZTZMDGKbQoewwHDxfiivb5YhQZmv/+nb+q7++2tMpl6tPfZhHWK0XCf99LU6ZYF9BstjmuxLmgE0ktQx0Qe2oQljo/sxMOwhtGR4A5Cj/M75xNDopOB3Kuj00k40hPGKIydRWmVXm9V5NvNiRZFqczDozo7A==&campaign_id=37&instance_id=4877&segment_id=6832&user_id=cd6a790a7df1c660fce5b8e60071e2fd&regi_id=76182586emc=edit_rr_20181020" class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105nocolor" target="_blank"> Why Many Native Americans Are Angry With Elizabeth Warren</a> <h6 style="color:#999;font:11px georgia,times new roman,sans-serif;line-height:13px;margin:0;padding:5px 2px;font-weight:normal"> By MAGGIE ASTOR</h6><div style="color:rgb(51,51,51);font-size:13px;line-height:19px;margin:0px;font-family:georgia,"times new roman",sans-serif">The anger is about what it means to be Native American, and who gets to decide.</div> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div>  </td> </tr> </tbody> </table>  <div>  </div>  <table class="m_-1646109981385865924m_-5376355879262896170m_-3528507819126442105hybrid-padding-zero m_-1646109981385865924m_-5376355879262896170m_-35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